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Day of Wrath
''Day of Wrath'' ((デンマーク語:Vredens Dag)) is a black-and-white film, made in 1943, by Danish director Carl Theodor Dreyer. The film is an adaptation of the 1909 Norwegian play ''Anne Pedersdotter'' by Hans Wiers-Jenssen, based on an actual Norwegian case in the sixteenth century.
==Plot==
''Day of Wrath'' is set in a Danish village in 1623 where an old woman known as Herlof's Marte (Anna Svierkier) is accused of witchcraft. Anne (Lisbeth Movin), a young woman, is married to the aged local pastor, Absalon Pedersson (Thorkild Roose), who is involved with the trials of witches, and they live in a house shared with his strict, domineering mother Meret (Sigrid Neiiendam). Meret does not approve of Anne, who is much younger than her husband, being about the same age as the son from his first marriage. Anne gives Herlof's Marte refuge, but Marte is soon discovered in the house, though she is presumed to have hidden herself there without assistance. Herlof's Marte knows that Anne's mother, already dead at the time of the events depicted, had been accused of witchcraft as well, and had been spared thanks to Absalon's intervention, who aimed at marrying young Anne. Anne is thus informed by Herlof's Marte of her mother's power over people's life and death and becomes intrigued in the matter.
Absalon's son from his first marriage, Martin (Preben Lerdorff Rye), returns home from abroad and he and Anne are immediately attracted to each other. She does not love her husband and thinks he does not love her. Under torture, Herlof's Marte confesses to witchcraft, defined among other evidence as wishing for the death of other people. She threatens to expose Anne if Absalon does not rescue her from a guilty verdict, begging him to save her as he saved Anne's mother. Marte, after pleading with Absalon a second time, does not betray his secret and is executed by burning with the villagers looking on. Absalon feels his guilt over having saved Anne's mother, but leaving Marte to burn. Anne and Martin, clandestinely growing closer, are seen as having changed in recent days, fueling Meret's suspicion of Anne's character. Anne is heard laughing in Martin's company by her husband, something which has not occurred in their time together. Absalon regrets that he married Anne without regarding her feelings and true intentions, and tells her so, apologizing for stealing her youth and happiness.
A violent storm erupts while Absalon is away visiting a dying young parishioner, Laurentius (Olaf Ussing). He had been cursed by Herlof's Marte during her interrogation and she foretold an imminent death. Meanwhile, Anne and Martin are discussing the future, and she is forced to admit wishing her husband dead, but only as an "if" rather than it actually happening. At that moment Absalon, on his way home, feels "like the touching of Death itself." On Absalon's return, Anne confesses her love for Martin to her husband and tells him she wishes him dead. He collapses and dies, calling Martin's name. Anne screams. The following morning Martin is overcome by his own doubts. Anne declares that she had nothing to do with his father's death, which she sees as providential help from above to release her from her present misery and unhappy marriage. At Absalon's funeral, Anne is denounced by Meret, her mother-in-law, as a witch. Anne initially denies the charge, but when Martin sides with his grandmother she is faced with the loss of his love and trust, and she confesses on her husband's open coffin that she murdered him and enchanted his son with the Devil's help. Her fate appears sealed.〔Dreyer, Carl Theodor. ''Four Screenplays''. Bloomington & London: Indiana university Press. 1970. ISBN 0-253-12740-8. pp. 133-235.〕
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